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Printable Handouts
Navigable Slide Index
- Introduction
- The common perceptions about radio
- Two important ideas
- Principles of all good advertising apply to radio
- Why and how people consume radio
- Importance of listener behavior
- The most common radio script formats
- Monolog: Wallspan (UK) one ad, one story
- Monolog: making brands human, The Shires
- Chiltern Railways (UK)
- Summary of the monolog examples
- How long should a spot be?
- Dialog - the radio comfort zone
- Questions to ask yourself when you write a dialog
- All the questions answered - Birmingham Bullring
- Write time for characters to listen - Handy Andy
- What makes a great comedy
- Radio movies
- A radio scene: Miller Lite
- Want to write a radio scene? draw it first
- The telephone is a radio cliche
- How music can help you write radio
- Music to add Drama and Drama: Ax Men
- Music which provides texture, structure and pace
- Music to enhance emotion
- Music as a character - Pruven
- Are mega-productions relevant?
- A checklist for your script
- Concluding remark
Topics Covered
- Practical and entertaining collection of approaches, tips and wisdom
- How to write dialogue, monologue, radio movies, sounds and music
- How to make radio more creative and less limiting, than traditionally assumed
Talk Citation
Hertz, T. (2009, January 27). Writing radio ads: there is more to it than meets the ear! [Video file]. In The Business & Management Collection, Henry Stewart Talks. Retrieved November 18, 2024, from https://doi.org/10.69645/FBHM8119.Export Citation (RIS)