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Media and entertainment metadata governance
Journal of Digital Media Management,
12
(2),
143-156
(2023)
Abstract
This paper delves into the pivotal role of data-driven strategies in media and entertainment, unravelling the symbiotic relationship between content and data in shaping industry success. The paper explores how effective data governance is essential for navigating the complexities of content creation, distribution, usage and adaptation, and addresses the challenges and nuances unique to the industry. The cited research highlights the multifaceted nature of data governance, emphasising the need for strategies that align with a complex and evolving industry. The insights in this paper help pave the way for media and entertainment entities to harness data governance as an enabler of innovation and excellence, rather than a burden to bear.
Keywords: data; data governance; data-driven; standards; content strategy
The full article is available to subscribers to the journal.
Author's Biography
Richard W. Kroon is the Director of Technical Operations for the Entertainment Identifier Registry Association. He has previously held senior positions with the Motion Picture Association of America, Technicolor, MovieLabs and Southbay Motion Picture Technologies. In addition to being an award-winning videographer, Mr Kroon is the author of numerous technical papers and several books, including ‘A/V A to Z’ and ‘3D A-to-Z’. Mr Kroon has a BS in computer science from the University of Southern California, an MBA from Auburn University, an MA in media and communications psychology from Touro University Worldwide and post-graduate certificates in film and television from UCLA Extension’s Entertainment Studies.
Cameron Crosby is the cofounder of WaveSeven, a consulting firm servicing the media and entertainment industry. He has over 25 years of professional service experience delivering world-class solutions, leading and growing professional service organisations, and recruiting and mentoring great talent. Mr Crosby has worked with all of the major studios as well as other top entertainment companies involved in film, television, music, streaming, publishing, videogame and entertainment events/ticketing. He has worked across the industry spectrum with special emphasis on intellectual property management, rights management, digital distribution, metadata governance and financial systems.
