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Invite colleaguesDiversity, equity and inclusion principles for custom taxonomies
Abstract
This paper discusses the common challenges and considerations associated with the development of custom taxonomies for describing people along the lines of race, gender, sexual orientation, nationality and other identity facets. The paper recognises that there are inherent and divisive problems in reducing complex human identities to discrete categories, and that terminology is always changing. Nevertheless, in the absence of a public vocabulary that addresses all facets of identity in a respectful and accurate way, custom taxonomies remain necessary. This paper explores the strengths and weaknesses of existing vocabularies, supporting this analysis with real-world examples, including a discussion of the LGBTQ+ vocabulary, Homosaurus and alternative terminology sources. The paper then proposes a flexible process for researching and developing custom taxonomies that draws on the strengths of existing vocabularies, knowledge of one’s content and users, professional best practice literature, journalistic style guides, and first-person consultations. The paper argues that custom identity taxonomies are a way of showing respect for the people represented in one’s digital asset management system and the people who use it. Thus, bringing the values of diversity, equity and inclusion into one’s metadata are a small way of expressing and fostering a community of care.
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Author's Biography
Sharon Mizota is a metadata consultant who helps archives, museums, libraries and media organisations transform their metadata to improve diversity, equity and inclusion in the historical record. She has over ten years of experience managing and creating metadata for arts and culture organisations, including Walt Disney Animation Studios, the Academy of Motion Picture Arts and Sciences, Harvard Business Publishing and Curationist. She is also an art critic, a recipient of an Andy Warhol Foundation Arts Writers’ Grant, and a co-author of the award-winning book, ‘Fresh Talk/Daring Gazes: Conversations on Asian American Art’.