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Abstract
The National Film and Sound Archive of Australia (NFSA) has embraced digital — building collections and enabling access to them for use and reuse, and integrating digital experiences into its events and exhibitions. Digital transformation at the NFSA is not so much about transformation from analogue to digital; rather, it is about evolution from a first generation, hybrid analogue/digital film archive to an archive that is digital by design. ‘Analogue’ and ‘digital’ are not mutually exclusive or opposing forces. The NFSA’s physical collections, the onsite and online exhibitions, programmes, events and even the building are an integral part of the NFSA’s digitisation process. By making its archive ‘digital by design’, the NFSA’s intention is to think, act and be digital first — for digital experiences to be an intrinsic part of the life of the archive and the people who learn, experience and create with it. This article shares the principles behind becoming digital by design and the steps that the NFSA is taking to realise this digital transformation. The article also discusses the importance of people and culture, in addition to the structure of the organisation.
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Author's Biography
Jan Müller is Chief Executive Officer (CEO) of the National Film and Sound Archive of Australia. He is also a Member of the Advisory Board of the Centre for Media History at Macquarie University, Sydney. Prior to this, he was CEO of The Netherlands Institute for Sound and Vision. He has also served as CEO of Saatchi & Saatchi in Amsterdam, Chair of the Europeana Foundation, President of the International Federation of Television Archives, Member of the Council of the Polish National Audio Visual Archive and Chair of the Dutch Media Literacy programme and the Dutch National Coalition for Digital Preservation and Sustainability.