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Abstract
The class action lawsuit: a term that strikes fear into boardrooms and among executive circles in the USA, and one that provokes strong reaction in Europe, mostly as a metaphor for a litigation culture run awry. Despite the bad press, however, the class action has its backers and European policy makers have increasingly come to accept its merits, notably its potential as a way to extend the arm of government-sanctioned authority and more generally to edge companies towards compliance. This paper focuses on class actions generally and specifically on data privacy class actions, which are but one litigation channel for a plaintiff to pursue when it comes to privacy violations (notwithstanding current trends for cyber security-related shareholder derivative suits). It begins by recapping the fundamentals of class actions in the USA, the historical roots, procedural aspects and current trends; it then turns to Europe, in particular to France. France offers a unique glimpse into how Europe, more generally, is attempting to leverage the benefits of class actions while avoiding the perceived negatives, most importantly by keeping lawyers at distance when it comes to initiating class actions. The paper will then cover a few other EU jurisdictions for comparison purposes and provide an overview of the most well-known privacy class action to-date — that introduced by Max Schrems.
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Author's Biography
Joseph Srouji is a member of the Paris bar and founding partner of Srouji Avocats. His previous roles include Senior Counsel for Data Protection & Regulatory Affairs at GE Capital, where he specialised in data protection, financial and banking regulation and compliance, and Data Protection Officer for the French Data Protection Authority (CNIL), where he managed data protection for both the GE corporate group and capital businesses in Europe. He also teaches graduate law classes at Université Paris II Panthéon — Assas, where he completed his law degrees.
Margaux Dolhem is completing her legal internship at Srouji Avocats as she finishes her law degree prior to taking the French bar exam. She worked as a legal assistant at Tramater SA in 2016 and interned at Galerie Kamel Mennour in the summer of 2015. She is completing her Master 2 in IP/IT law (Droit du multimedia et de l’informatique) at the University Paris 2 Panthéon — Assas and has an MA in business law and the history of art at University Paris 1 Panthéon — Sorbonne and a BA in law and the history of art.